mercifulserpent

I want to write a love poem for the girls I kissed in seventh grade,
a song for what we did on the floor in the basement

of somebody’s parents’ house, a hymn for what we didn’t say but thought:
That feels good or I like that, when we learned how to open each other’s mouths

how to move our tongues to make somebody moan. We called it practicing, and
one was the boy, and we paired off—maybe six or eight girls—and turned out

the lights and kissed and kissed until we were stoned on kisses, and lifted our
nightgowns or let the straps drop, and, Now you be the boy:

concrete floor, sleeping bag or couch, playroom, game room, train room, laundry.
Linda’s basement was like a boat with booths and portholes

instead of windows. Gloria’s father had a bar downstairs with stools that spun,
plush carpeting. We kissed each other’s throats.

We sucked each other’s breasts, and we left marks, and never spoke of it upstairs
outdoors, in daylight, not once. We did it, and it was

practicing, and slept, sprawled so our legs still locked or crossed, a hand still lost
in someone’s hair . . . and we grew up and hardly mentioned who

the first kiss really was—a girl like us, still sticky with moisturizer we’d
shared in the bathroom. I want to write a song

for that thick silence in the dark, and the first pure thrill of unreluctant desire,
just before we’d made ourselves stop.

Someone or something is leaning close to me now
trying to tell me the one true story of my life:

one note,
low as a bass drum, beaten over and over:

It's beginning summer,
and the man I love has forgotten my smell

the cries I made when he touched me, and my laughter
when he picked me up

and carried me, still laughing, and laid me down,

among the scattered daffodils on the dining room table.

And Jane is dead,
and I want to go where she went,
where my brother went,

and whoever it is that whispered to me

when I was a child in my father's bed is come back now:
and I can't stop hearing:
This is the way it is,
the way it always was and will be--

beaten over and over--panicking on street corners,
or crouched in the back of taxicabs,

afraid I'll cry out in jammed traffic, and no one will know me or
know where to bring me.

There is, I almost remember,
another story:

It runs alongside this one like a brook beside a train.
The sparrows know it; the grass rises with it.

The wind moves through the highest tree branches without
seeming to hurt them.

Tell me.
Who was I when I used to call your name?

Prayer | Marie Howe

Someone or something is leaning close to me now
trying to tell me the one true story of my life:

one note,
low as a bass drum, beaten over and over:

It's beginning summer,
and the man I love has forgotten my smell

the cries I made when he touched me, and my laughter
when he picked me up

and carried me, still laughing, and laid me down,
among the scattered daffodils on the dining room table.

And Jane is dead,