joy harjo -- we encounter nat king cole
Feb. 1st, 2009 11:04 pmWe Encounter Nat King Cole As We Invent The Future
Camme and I listened to Nat King Cole and she sweetly lay her head
on the shoulder of some well-slicked man and off
she went some slow easy step some thirty years ago; it wasn’t
yesterday but ghosts of time in tilted hats are ushered
by our heartbeats into the living room as we eat fried chicken,
drink Cokes and talk about swing, don’t talk
about heartbreak but it’s in the stirred air. How we loved,
and how we love. There is no end to it.
One song can be a crack-the-whip snapping everything
we were in the lifetime of a song back
into the tempest of dreams. And when the Cokes are gone,
chicken bones drying in the sun,
radio shifted into another plane of time, I don’t know
what to believe. My heart’s a steady tattoo of roses.
Camme and I go to sleep in our different houses, she without
her dancing man, and me with my imaginary lover
outlined in smoke, coming up the road. There’s a song
that hasn’t been written yet; the first notes
are a trio of muses in a songwriter’s ear. That song will invent
my lover of evening light, of musky genius,
I know it. As sure as I know Nat King Cole wore white suede
shoes, and smelled like spice hair cream,
as sure as the monsoon rains come praising the dry Sonoran.
Yesterday I turned north on Greasewood
the long way home and was shocked to see a double rainbow
two-stepping across the valley. Suddenly
there were twin gods bending over to plant something like
themselves in the wet earth, a song
larger than all our cheap hopes, our small-town radios,
whipping everything back
into the geometry of dreams: became Nat King Cole
became the sultry blue moon became all
perfumed romantic strangers became Camme and me
became love
suddenly
------------
this IS my favorite poem.
Camme and I listened to Nat King Cole and she sweetly lay her head
on the shoulder of some well-slicked man and off
she went some slow easy step some thirty years ago; it wasn’t
yesterday but ghosts of time in tilted hats are ushered
by our heartbeats into the living room as we eat fried chicken,
drink Cokes and talk about swing, don’t talk
about heartbreak but it’s in the stirred air. How we loved,
and how we love. There is no end to it.
One song can be a crack-the-whip snapping everything
we were in the lifetime of a song back
into the tempest of dreams. And when the Cokes are gone,
chicken bones drying in the sun,
radio shifted into another plane of time, I don’t know
what to believe. My heart’s a steady tattoo of roses.
Camme and I go to sleep in our different houses, she without
her dancing man, and me with my imaginary lover
outlined in smoke, coming up the road. There’s a song
that hasn’t been written yet; the first notes
are a trio of muses in a songwriter’s ear. That song will invent
my lover of evening light, of musky genius,
I know it. As sure as I know Nat King Cole wore white suede
shoes, and smelled like spice hair cream,
as sure as the monsoon rains come praising the dry Sonoran.
Yesterday I turned north on Greasewood
the long way home and was shocked to see a double rainbow
two-stepping across the valley. Suddenly
there were twin gods bending over to plant something like
themselves in the wet earth, a song
larger than all our cheap hopes, our small-town radios,
whipping everything back
into the geometry of dreams: became Nat King Cole
became the sultry blue moon became all
perfumed romantic strangers became Camme and me
became love
suddenly
------------
this IS my favorite poem.